![]() ![]() Combo Attack: When activated, grants a chance to add each attack to the Combo Orb, up to 5.(New!) Flash Blade: Zip forward in a flash, cutting enemies in your path.Brandish: Perform a double attack on enemies in front of you.Also grants a chance to resist knockback. Warrior Mastery: Trains up your warrior basics to increase Movement Speed, Jump, Max HP, and Max Movement Speed.Iron Body: Boosts DEF and Max HP by a set percentage, and decreases damage taken when hit by enemies.Leap Attack: Ambush the enemy by rapidly dropping to ground from mid-air.Upward Charge: Charge through the air to attack the enemy.The higher the skill, the farther the jump. War Leap: Use while in the middle of a jump to jump even farther.Slash Blast: Consumes MP to attack nearby enemies all at once.V.233 - Destiny: Remastered is live on June 15! Museum With No Frontiers, 2023.Embrace MapleStory's Destiny: Remastered update with a revamp to all of our Explorer Jobs, Starlight Symphony Events, Better Maple improvements, and more! LACMA Staff "Turkman Prisoner" in Explore Islamic Art Collections. Rizvi, Kishwar, "Between the Human and the Divine: The Majālis al-ushshāq and the Materiality of Love in Early Safavid Art," in Walter Melion, Michael Zell, and Joanna Woodall (eds), Ut Pictura Amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700, Leiden: Koninklijke Brill NV, 2017: 233. Komaroff, Linda, Collecting Islamic Art at the Los Angeles County Museum of Art: A Curatorial Perspective, Los Angeles: Art Catalogues LACMA, 2017: 18-20. Sheffield (eds), No Tapping around Philology: a Festschrift in Honor of Wheeler McIntosh Thackston Jr.'s 70th Birthday, Wiesbaden: Otto Harrassowitz, 2014: 379. Komaroff, Linda, "A Turkman Prisoner or Prisoner of Love?" in Alireza Korangy and Daniel J. The motif of the Turkman prisoner is known primarily in Safavid painting a few instances occur in Mughal India. This strong similarity suggests that a tracing was made from the Topkapi version, perhaps datable to the 1560s to early 1570s, which was reversed and used as pounce to produce the LACMA painting. 2156, which has margins dated between Hegira 980 / AD 1572 and Hegira 982 /AD 1575. The LACMA painting is very similar to one in a Persian-made album in the Topkapi Palace Library, Istanbul, H. The motif of the Turkman prisoner first appears in Persian painting around the middle of the sixteenth century. How Object was obtained:Ĭollection of Roland Yazhari, Portland, Oregon, until 2000 (sold to) LACMA, gift of the Ancient Art Council, Iran Trip 2000. Claiming to haunt the street of the beloved by night, the lover moans, "Happy is that prisoner who has someone to come to his rescue," which is inscribed, almost like a caption beneath the bent leg of the captive. The verses give voice to the torments of unrequited love, a common theme in classical Persian poetry. ![]() 857/1453), which surrounds the painting, it is possible to suggest a less literal meaning for this prisoner imagery. Based on the Persian poetry by Amir Shahi of Sabzavar (d. Not surprising, given his extensive armaments, he does not seem humbled by his captivity rather, apart from the introduction of the shackling yoke, such prisoner figures are often nearly indistinguishable from contemporaneous paintings of similarly clothed and armed Uzbek princes or warriors. Characteristically, he carries a sheathed sword, a dagger, a quiver with arrows, a bow and case, a flail, and a whip. He wears a sleeveless outer robe over a long-sleeved tunic, with an elaborately knotted sash his head is covered by a peaked cap. As is typical, the prisoners’ physiognomy and clothes denote his Turkman ethnicity. A crossbar at the back of the prisoner’s neck completes the restraint. The prisoner depicted here, as in all such representations, is fettered by a palahang, a device made from a forked branch, to which one wrist is attached by an additional band of wood or metal. The motif was copied and subtly interpreted in both drawings and paintings, which were probably intended for placement in albums. The Turkoman prisoner is a common subject in Iranian art. Ink, opaque watercolor, and gold on paper Dimensions: Hegira second half of 10th century / AD second half of 16th century Museum Inventory Number: Los Angeles, United States of America Holding Museum:Ībout Los Angeles County Museum of Art (LACMA), Los Angeles Date of Object: Information is available in: English, Arabic. This item has been added to the Database within the Explore Islamic Art Collections project. ![]()
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